Taken with ND8 and Grad 4 filters.
This video shows the quality of filters that Rainbowers has produced. I'm testing them out for a commercial shoot coming up shortly.
I also just ordered a set. I've tried others and have not been satisfied with the options. Really excited to try it out.
@Bret Lucas, really nice footage, thanks for sharing. Nice Finn Brothers music bed as well.![]()
@philputnam - If you don't mind me asking... which other ones have you tried. Not trying to throw anyone under the bus, but I am sincerely interested in knowing. I've heard a lot of good things about @Rainbowers and am confident that you will be happy with them. I will hopefully order mine soon too. Liked!![]()
@williamjamesfpv Certainly. The first one I tried was by Snake River Prototyping, a combo ND8 and polarizer. Build quality was good, but since it was made to slip over the camera, it could be quite difficult to remove from the camera. Also needed a counter-balance (not included) or it would overwork the gimbal motor. The ND8 was a good versatile strength, but not ideal for super bright settings, or for dusk when the sky is pretty, but not as bright. Also, the polarizer would look too strong in certain angles and , but you couldn't remove it if you still needed the ND part. It was one of the first available though, so it had that going for it.
After that, I bought the PolarPro 3 filter set, before they had a 6 filter option. It had an ND4, ND8, and polarizer. I liked that you could easily screw them on and off, and that they were light enough to not need counter-balancing, but again, versatility was quite limited. You could only use one at a time. They added some extra combos for the 6 filter set, but very expensive for the limited versatility.
What excites me about @Rainbowers set, besides the fact that he's a community member turning out an exceptional product, is that he clearly knows photography and optics. Coming from a background in cinematography, I love the matte box workflow, allowing me to stack the right combo of filters for my setting. Super bright sky and shooting landscapes? Give me an ND16 or 32 and a ND4 Grad on top. Maybe a polarizer if needed. But maybe not. I'm not stuck needing both an ND16 and an ND16 polarizer filter. Is it dusk, with a gorgeous sky but a valley in the foreground? Just lose the full ND and put the ND grad or stack the 2 grads to knock down the sky but keep the data in the valley in range. It will make color grading so much easier. The sensor on the P3P camera, as good as it is, is still pretty limited compared to large sensor DSLR's, so any help you can give it on the dynamic range is going to greatly improve your images.
I do wish counterbalancing weren't necessary, but that's really more an aesthetic issue than anything else, and it's a small price to pay for getting the tools to do it right.
C'est tout un peu le gout personnel. Moi, je préfère très naturel, donc j'utiliserai le grad nd2. ND8 or ND 16: cela dépend la quantité de lumière que vous avez. Décidez d'abord votre éclairage et vitesse sur l'image, pas sur le ciel, le grad nd 2 va adoucir le ciel.Bonjour,
Voici une première vidéo avec filtre nd 16 .. tout a l'air d'être bien stabilisé
je n'ai pas osé utiliser le gradué ... le 2 ou le 4 avec un nd 16 ?? je ne sais pas comment combiner. ^^
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The balance overall seems very right.Bonjour,
Voici une première vidéo avec filtre nd 16 .. tout a l'air d'être bien stabilisé
je n'ai pas osé utiliser le gradué ... le 2 ou le 4 avec un nd 16 ?? je ne sais pas comment combiner. ^^
<iframe width="560" height="315" src=" " frameborder="0" allowfullscreen></iframe>
Magnifique, mais, pourquoi le footage rend si pauvre, problème export ou .... ? On sait que cela ne rends pas comme un camera pro, mais quand même cela pouvait être mieux. Sharpness à -2 ?Voici la version 2
Je ne souhaite pas y faire ma pub mais le filtre a tellement été efficace que je vous propose le résultat
And I just received my tracking number. Great service. I can't await it to test and use. Thank you.
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