Myself, I am most impressed with how the
p4p handles extreme contrast. I shot some very demanding scenes today (from a dynamic range and high frequency motion perspective) and the only scene (below) where I got visible banding / blocks from the h265 encoding, before toning, was the darker parts of the second scene.
This quick edit is nowhere near neutral, but gives a indication how the material holds together after considerable adjustments; a working log profile would make this much more forgiving (especially for the shadows) so I am hoping for a quick resoultion from dji here.
Some notes here, i used the none-profile with a -1 sharpness setting (this helped some issues with banding due to somewhat reduced high-frequency information hogging all the bandwidth) and I think a -2 might be even better. We do see some flares, but with a unobstructed sun directly on the glass, I cannot see how this is avoidable, so I think the lense is excellent (given the price).