Aerial video shots, unless worked into a documentary or something similar where audio from a different scene can be overlaid, will generally require a soundtrack or silence, since the audio from these Phantoms is the obnoxious buzz of the rotors or no track at all. Which, as I begin to get into aerial filming, has me realizing that soundtrack choice is more significant and can set or change the mood of the footage.
So, all you goons out there that have been doing this aerial thing for awhile, school us on how you're choosing your tracks. I've seen some videos recently that the audio track seems to fit the footage like a glove, and others that are just plain obnoxious.
Do you start with your track selection, or review your footage and then start the search for a track that reflects the footage?
My P3 will be arriving soon (I live in Uganda) and I'm the type of person that doesn't really like putting things out there unless they're as good as they can be. I guess I need to start educating myself on color grading, too...
So, all you goons out there that have been doing this aerial thing for awhile, school us on how you're choosing your tracks. I've seen some videos recently that the audio track seems to fit the footage like a glove, and others that are just plain obnoxious.
Do you start with your track selection, or review your footage and then start the search for a track that reflects the footage?
My P3 will be arriving soon (I live in Uganda) and I'm the type of person that doesn't really like putting things out there unless they're as good as they can be. I guess I need to start educating myself on color grading, too...