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Blending Jump Cuts, Seeking Best Options After 4K60 Video Glitch Removal
Since it appears that the P4P 4K 60 video glitches lasting 4-30 frames are here to stay (DJI engineers confirmed this week that still they have no FW fix or hardware fix available, after 8 months of trying), what are the best video editing options in Premiere Pro CC 2017 for dealing with the resulting jump cut, after cutting out the glitched frames, to blend them together seamlessly?
Just cutting out the video glitched frames, and deleting the resulting timeline gap, leaves a jump cut that is often more noticeable than the original video glitch. Unfortunately, the Adobe PP "morph cut" is specifically designed for talking heads, using facial recognition, and not effective at blending landscape aerial scenes together.
What process is working for you, and what do you recommend?
Leaving them in is the simplest option, but degrades the superior quality of the rest of the perfect 4K 60 video.
Ideally, I want to recreate the exact same number of cut out glitched frames, that morphs the changes between the two frames on each side of the cut. After Effects apparently has the ability to do this through a process called a warp cut, but is there an easier way?
Since the video glitches invariably on occur on the lower half of the frame, perhaps zooming into the top portion of the 4K frame, using the corrupted frames is another possible solution, but I would prefer not to change the zoom level, if I can avoid it.
All constructive suggestions welcome!
Since it appears that the P4P 4K 60 video glitches lasting 4-30 frames are here to stay (DJI engineers confirmed this week that still they have no FW fix or hardware fix available, after 8 months of trying), what are the best video editing options in Premiere Pro CC 2017 for dealing with the resulting jump cut, after cutting out the glitched frames, to blend them together seamlessly?
Just cutting out the video glitched frames, and deleting the resulting timeline gap, leaves a jump cut that is often more noticeable than the original video glitch. Unfortunately, the Adobe PP "morph cut" is specifically designed for talking heads, using facial recognition, and not effective at blending landscape aerial scenes together.
What process is working for you, and what do you recommend?
Leaving them in is the simplest option, but degrades the superior quality of the rest of the perfect 4K 60 video.
Ideally, I want to recreate the exact same number of cut out glitched frames, that morphs the changes between the two frames on each side of the cut. After Effects apparently has the ability to do this through a process called a warp cut, but is there an easier way?
Since the video glitches invariably on occur on the lower half of the frame, perhaps zooming into the top portion of the 4K frame, using the corrupted frames is another possible solution, but I would prefer not to change the zoom level, if I can avoid it.
All constructive suggestions welcome!
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