I figured there was a new one I hadn't heard of!It's H265, not H365.
To me, the best way is convert the H265 file to another "more friendly to edit" format, like ProRes.
haven't tried it but 4k 100mbs must be a bear to work with.......Has anyone used a good program to edit H.365? if so what and how do you like it??
TIA, Dave
I am a newbie, What is H265
I don't know what H365 is, but H265 is directly supported by premiere pro CC. However, the files require a crazy high end computer. Mine with an i7-6700k, 32GB DDR4 RAM, evo 850 SSD drives, and GTX 980Ti cannot do it without the video looking poor. So for me I just let PP ingest and auto create proxy files at h264 720p to make easier for editing. Then when it does final render it uses the original h265 videos for output. It's a super easy to use workflow.
That said, I have done some side by sides of h264 vs h265 output and my naked eye cannot tell any difference in the quality so I'm still recording in h264. I haven't done fast moving shots yet, which is likely where the advantage for h265 lies though because it can put more data into the same space.
This guy has been corrected many times before, and keeps posting nonsense. It is not even entertaining at this point anymore.
The moderators should make a correction at this point since it is clogging up the forum.
How do you do that? I am not super familiar with it?
Who are you referring to here? Me?
My proxy suggestion is not nonsense. Why do you think that Adobe have just made proxy editing their major update go Premiere in the last 6 months?
Proxy editing is just a process of making interim files that you cut with, so that the picture always plays smoothly whilst you are editing. When you then export the project it then uses the original media to create the final version. No loss of quality and therefore no harm, especially as the files render in the background.
FCP X does this for you automatically in the background (you don't even get a choice I think)
Resolve calls this using 'optimised media'
Premiere calls them proxies.
I don't know why you'd say this is incorrect. Clearly if you can edit natively without problems you are not going to need to do this. Well done on your super fast computer.
But for everyone else who hasn't spend £2k in the last 6 months on a workstation, this is relevant and useful advice.
And as I said earlier, it's what the film and TV industry has done for the last 20 years, and continue to do today.
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It's the latest video codec (compression algorithm) that isn't supported by some hardware and older operating systems.I am a newbie, What is H265
so what kind of computer can handle h.265? What's the minimum requirement?I don't know what H365 is, but H265 is directly supported by premiere pro CC. However, the files require a crazy high end computer. Mine with an i7-6700k, 32GB DDR4 RAM, evo 850 SSD drives, and GTX 980Ti cannot do it without the video looking poor. So for me I just let PP ingest and auto create proxy files at h264 720p to make easier for editing. Then when it does final render it uses the original h265 videos for output. It's a super easy to use workflow.
That said, I have done some side by sides of h264 vs h265 output and my naked eye cannot tell any difference in the quality so I'm still recording in h264. I haven't done fast moving shots yet, which is likely where the advantage for h265 lies though because it can put more data into the same space.