I disagree. I find the constant cutting distracting. Quick cuts interspersed with longer takes sure, but the constant 2 second cuts gets annoying. That's just my take though.
One from the Surf Shack at Windansea Beach around Christmas time. yes, that is a Christmas tree out on the end of the rock shelf there.
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Windansea Surf Shack Aerial at Christmas Time by tltichy, on Flickr
Have you cleaned the lens lately? A haze on the glass will give that effect, which is essentially an exaggeration of the flare you get from shooting into direct light.
Here's the thing, you really don't have enough camera control to accurately pan a subject from a drone. Beyond that, the rather wide angle of the lens is fighting you here too as you will need a longer exposure to get visible blur, and yet those longer exposures add to the likelihood that the...
Sweet! Did you get the two light kit with mounts? You'll have to post up some work with them.
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I remember seeing his original video for the lighting rig he made and I almost made one myself for landscape light painting. Now you've got me contemplating it again.
Out of curiosity, how many of them are living off of solely their drone work, and living comfortably? I know photographers who have added drones to their work, but I've not come at it from the other perspective to know of people who are drone specific.
I would say that what you're experiencing mirrors what I have been seeing and hearing. I know of editorial/commercial, RE, and even wedding photogs that have added drones to their arsenal. It's not just GWCs buying drones that you're competing with now, but other photogs who are adding to their...
BoneThrower, a few tips on the uncontrollable nature of sunlight and photography (or videography in your case). Golden hours are the best hours. That hour just after sunrise and again before sunset are when the light is most pleasing. The light is at a lower angle and warmer, making for more...
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