You could try toning down the exposure and playing with the contrast in post production in Premiere Pro.
Another trick is to overlay a colour matte as an adjustment layer to bring some colour into the sky.
Using an ND filter with the correct exposure settings and using the D-Log camera pre-set can also help to some degree in then being able to squeeze some colour out of the sky in post production.
One thing I'm learning is that it's important to get your camera settings with regard to the EV as...
Would you care to mention what editing software you are using to export to YouTube?
I've recently started using Adobe Premiere cc and while watching YouTube happened to see a video on exporting to YouTube from Adobe Premiere and Bitrate settings.
Basically the Phantom 3 Professional camera has a...
It felt very cinematic and the music was a good choice.
For my personal taste I would of just enhanced the brightness/contrast in post production as it did seem slightly dark to my eye.
But overall that was a great effort, well done.
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